Robocop 2014 Remake (Movie Review)
Review by Paeter Frandsen
Like many fans of the original Robocop, I've been very curious about
the remake. As buried as I've been with work and other activities, I’ve had
almost no exposure to the marketing campaign aside from a couple of early
trailers, and so I sat down in the theater with no idea what to expect.
In the near future, OmniCorp is the leading
developer of military and law enforcement robotic technology, but their
products are only in use overseas. Americans just don't seem to like the idea
of robots making the kinds of hard, life-altering decisions that police
officers so often face. The head of OmniCorp decides to try to grease the
wheels for robot cops in the U.S. by introducing a cyborg to U.S. law
enforcement. To this end, he has critically injured Detroit police officer Alex
Murphy rebuilt from the inside out and turned into "Robocop".
The physical transformation is completed all at
once. But when tests reveal that Murphy's emotions are interfering with his
tactical software and affecting his combat performance, steps are taken to
deaden his emotions and place him more firmly under the control of his
programming. This internal war between his emotions and programming becomes
central as he endeavors to reconnect with his wife and young son, who were both
traumatized by his injuries and brush with death. At the same time, Murphy
becomes obsessed with solving his own attempted murder case, convinced that
corruption sits at the heart of the Detroit police force.
Joel Kinnaman does a great job as both Alex
Murphy and Robocop. His sorrow over the tragic loss of his body and resulting
disconnection from his family is easy to sympathize with. The struggle to
rebuild his relationships with his wife and son provides an emotional center
around which the rest of the story often revolves. Geeky husbands and fathers
may find themselves, like me, more emotionally involved and affected by the movie
than others.
Although the movie fails to make its supporting
cast very interesting, there are a few standouts that help the film. Gary
Oldman is predictably wonderful and likeable as the doctor in charge of
Murphy's recovery, who is repeatedly put in morally uncomfortable situations by
his employer. Michael Keaton, as the CEO of OmniCorp, is effortlessly
interesting, although probably not as unlikable as he should be by the end of
the film. Abbie Cornish is good as Murphy's wife, but at times does not seem to
be believably engaged in the intense emotions of her scenes.
Emotions are also an important theme in the
movie. They interfere with Murphy's combat effectiveness but are needed for his
family life. Emotions are at the center of the political debate regarding robot
law enforcement and are implied to be the tool for making decisions regarding
right and wrong. Just as the original Robocop
reflected the popular values of its time, the remake does as well, although
those values have changed priority a bit. Although not so strong as to be a
"message," I'd say a truth claim inspiring this film would be that
"emotions are the highest human value and embracing them will provide the
solution to our biggest problems in life." While emotions are incredibly
valuable and a vital part of our humanity, I'd argue that they are meant to be
our response to life events, rather than our decision-making guide. Emotions
should accompany and not lead us on our journey through life.
All that said, this movie is not some weepy
examination of human tragedy. It's a sci-fi action flick. And while not as
filled with explosions and robotics as I might have expected, it’s no slouch in
those departments either. This Robocop is agile and fast, whether running on
foot or racing through the city on his equally cool-looking motorcycle. And
although the action is not as bombastic as in the original film, it’s much more
hectic and busy, especially ramping up as things lead into the climax.
The visual effects are well-suited to the
material. I am cursed with an eye that can easily spot CG when it's being used
to recreate something organic, but robots do not need to have convincing motion
capture. They just need to look cool for the most part, and they certainly do
in this movie. The hulking ED-209's look like something that could be used by
the military in just a couple of decades, and the humanoid robotic drones look
menacing and designed for speed, but also weighty and intimidating.
Fans of the original will enjoy a number of nods
to the 80's film throughout the movie. But they may be let down by the lack of
intense violence and human depravity that defined the original film. The PG-13
rating is obvious throughout the film, as blood is virtually absent and some
potentially violent moments are even cut away from. I can't help but wonder if
there will be a director's cut when the film comes to home video.
Unlike the first film, this movie is not
philosophically as much about the human "soul," since Murphy never
actually dies before becoming Robocop in this story. Instead he is just
terribly wounded, and his "robotic" nature comes and goes as the
result of chemical and software interference with his brain. Even so, there are
times in the script when he is treated as inhuman, or as though he actually had
died. Someone even says that Murphy is attempting to solve his own murder case,
which doesn't really make sense. So although there are philosophical themes of
emotion, free will, and the human condition in general, they aren't as focused
as they could be, and sometimes even seem to be inconsistent. That said, there
does seem to be an attempt to validate some kind of "X-Factor" that
separates humans from machines.
This new take on Robocop is worth seeing for fans of sci-fi action films. Just be
prepared for a very different kind of story and experience from what has come
before.
Quality: 8.5/10
Relevance: 7.0/10
Rated PG-13 for intense sequences of action
including frenetic gun violence throughout, brief strong language, sensuality
and some drug material.
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