Black Death (Movie Review)
You probably haven't heard of this movie, but there are a few good reasons to check it out.
"Black Death" takes place in England in the 1300's during the Black Plague. Sean Bean plays a knight of the church who has taken up the cause of hunting down the supernatural evil that he believes is the source of the plague. He leads a group of mercenaries and a young monk who plans to secretly rendezvous with the woman he loves. They all reach the suspected source of the evil, a small remote village that has mysteriously remained untouched by the plague. From this point what unfolds is a complex examination of religious fanaticism that for once, in films of this period, is not limited to pointing fingers at the Christians.
The cast is composed of mostly unknowns, though all match the onscreen strength of Sean Bean extremely well. I was pulled in by each of the characters, rarely thinking of them as actors. The sets and costumes have a wonderfully rugged realism to them, supporting the gritty tone that film shoots for.
I would have liked a little more production value in the shooting of the film. One or two helicopter shots would have been nice during travel scenes and the film seemed a bit too "grounded". Shaky cam effects were used a little too often, but not so much that it ever became frustrating. Fight scenes were gripping in their brutality, but the choreography left something to be desired and the "shaky cam" once again proved a distraction more than an aid.
As is the case with many stories in our "post-modern" age, there are no black hats or white hats. The protagonists, even the most pure among them, fall victim to corruption. And the antagonists, though maybe not exactly what the protagonists fear, are still horrifying in their evil. The protagonists have a fear and prejudice aimed at those who are not Christians, claiming allegiance to God while behaving in morally questionable ways. Nothing new about this in the world of movies. However, the antagonists portray themselves as victims of the "big bad intolerant Christian church", claiming to take no pleasure in violence or the pain of others, yet they enact a preemptive strike against the protagonists, giving them the choice of torture and death(during which they smile sadistically) or renouncing the Father, Son and Holy Spirit and being set free. (So much for tolerance, huh?)
The parallels to the modern spiritual atmosphere in America are uncanny. On the one hand, there are a number of Christians filled with prejudice and sometimes even hate toward non-Christians, living in contrast to God's commands for us to love others. At the same time, the popular creative community (comedians, musicians, writers, producers etc.) cries out for religious tolerance while they passive aggressively use their work to mock, condemn and show intolerance for those who express disagreement with them.
Although not a big budget operation, this film never looks "direct to video". It's a great movie with some dark and disturbing themes and complex situations that will likely lead to some very worthwhile conversation afterward.
Rated R for strong brutal violence, and some language.
Quality: 9.0/10
Relevance: 9.0/10
Thank God (pun) that more of your fellow Christians didn't screen this one into theaters. Leave it to Holy Spirit and a couple of Holy Roller writers to cook up a story where Christian crusaiders are forced to renounce or parish. love it. This story is crazy town banana's and is more far-fetched then m night shyamalan's the village. The suggestion that this story paralels the modern view of Christians vs Non in a historical context is as silly as the suggestion that a white kid in Alabama beat up by a black kid would explain the Civil Rights Movement.
ReplyDeleteThanks for the feedback! I'll try to respond as best I can.
ReplyDeleteIt sounds like you're suggesting that either the biblical Holy Spirit, or someone named "Holy Spirit" (given the absence of "the" before "Holy Spirit" in your post), along with some writers who are Christians of a particular kind (which I assume is what you mean by "Holy Roller") wrote this movie. I don't know if Dario Poloni (writer) is a "Holy Roller" or not, so I'd be interested in how you came to that thought.
I agree that the story is historically pretty far-fetched. So much so that I decided to review it even though I normally only review fantasy, sci-fi or horror flicks.
I disagree with your comparison involving the white and black kid for two reasons.
First, a metaphoric parallel need not be perfect on all levels to be a metaphor or contain parallels. In fact if two things are perfectly the same, we wouldn't discuss them in terms of parallels because they would actually be the same thing. (That would be like saying there are some parallels between my sisters and my female siblings.)
In "Black Death", extremist non-Christians and extremist Christians are both persecuting each other. In modern America, some among both Christians and non-Christians are overly defensive and/or antagonistic toward each other, while both sides call for tolerance for their own position. There may be a number of major differences beyond that, but those similarities are enough to constitute some degree of parallel.
Secondly, I never claimed that this parallel explains the modern spiritual atmosphere in America. I think it parallels it. Explaining it would involve a completely distinct topic and couldn't be done through metaphorical comparison alone. I could try to take a stab at explaining today's spiritual atmosphere, but it's too complex to do so with one simple metaphor.
I hope that clarifies my position a little more. Thanks for your input!
does anyone know what the small mercy blade is called. I'm trying to find one, and am having no luck. I might have better luck with the name of it. If anyone could help me, that would be awesome. Thanks.
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