Long before Neo entered the Matrix, "Tron" presented an action packed visual feast that took us inside the world of computers. Decades later, we finally return to this amazing digital world in "Tron: Legacy", which follows the story of Sam Flynn (Garrett Hedlund) as he searches for his father, Kevin Flynn(Jeff Bridges). Kevin Flynn discovered a hidden digital world that exists in all computer software. It is populated by programs that have personalities and emotions, much like humans. Humans are referred to as "Users" and take the role of deities for the programs they create. But Kevin Flynn disappeared into this computer world when his son was just a boy and has been missing ever since. Sam, now 27, goes in search of his Father on a journey that takes him into the computer world where he must survive gladiatorial games and the multitude of enemy programs he encounters. Although the visual effects are not the breakthrough that the original Tron was

In preparation for watching "Tron: Legacy" this weekend, I sat down and watched the original Tron and tried, as much as possible, to see this classic with new eyes and evaluate how it holds up. The story takes place in the early 80's, when the arcade video game craze was near its peak. Flynn (Jeff Bridges), a brilliant programmer, has developed a number of wildly popular video games, but the credit was stolen from him three years ago by a co-worker who is now the President of Encom, a large a successful software company. In an effort to find the evidence that will prove his rightful ownership of the games, Flynn and his fellow computer industry friends, Alan and Lora, break into Encom to hack the system. But the newly self-aware Master Control Program running things at Encom fights back, using cutting edge teleportation technology to pull Flynn into the digital world of computers, where he is forced to fight and survive alongside apparently sentient yet mundane p

It’s been about 15 years since I read the Chronicles of Narnia by C.S. Lewis and about two since I listened to the audio drama versions produced by “Focus Radio Theater”. So I’m hardly a purist and if you’re looking for a review that will compare the books to the movies, these aren’t the droids you’re looking for. However, I am a big fan of the fantasy genre and love examining movies for relevant philosophical/theological themes. So naturally I’ve been looking forward to seeing “The Voyage Of The Dawn Treader”. The story picks up a couple of years after Edmund and Lucy return from their adventure in “Prince Caspian”. They are now in the care of their Uncle and are forced to spend time with their snobby cousin, Eustice, who naturally thinks that Narnia is make-believe nonsense. Soon, all three children are pulled into the magical world for another adventure and we get to watch them struggle with temptation and grow in character as the movie progresses. This movie continues t

Although this movie hasn’t been hyped much via TV and online marketing, it’s one I’ve had my eye on since I saw the first cool looking trailer a few months ago. This is a fantasy flick in the same way that “300” is. Based in real historical culture, but exaggerated well beyond realism. The story is about an assassin-warrior from China (or was it Japan?) who is on the run from his own clan for not completing a mission. He finds refuge across the world in the wild west of America, but not for long. The troubles of this small ghost town and the warrior’s own catch up with him and the inevitable action begins. Within the first five minutes of this movie, I said to myself “I’m totally buying this on BluRay”. But after another 45 minutes I wasn’t so sure. I’m still not. This movie has some incredibly cool action sequences that fans of Zack Snyder’s (“300”, “Watchmen”) visual action style will enjoy. I almost wonder if Snyder was involved somehow, given the similarities. This mo

Although I've read and enjoyed most of the Harry Potter books, I'm not a fan by any means and mainly watch the movies to scratch an ever present itch for fantasy flicks. My memories of the last book in the series are fuzzy at best, and so this review is largely from the perspective of someone who has just been watching the films. Performances by the leading three child-turned-adult actors are fine, but not outstanding or particularly interesting. Still, considering the studio hired these folks as kids a decade ago with no idea how they'd develop as actors, things have turned out very well for this franchise. Although it was still no surprise when Helena Bonham Carter stole the show as Bellatrix near the end of this film. A shame she and other, more interesting performers were not given more screen-time or plot-relevant material to work with. The special effects continue to be very cool, especially the smoky apparitions and wild bolts of magical energy. The telepor

I should start by admitting some bias on my part. I love monster movies. I love seeing a good scary monster and learning all about what makes it tick throughout the course of a two-hour special effects bonanza. So this fact may be coloring my review. Consider yourself warned. Yes, I love a good monster movie. And “Skyline” is a good monster movie! The story centers on Jordan and his girlfriend, who are visiting one of Jordan’s childhood friends in Los Angeles. His friend has made it big and wants to bring Jordan into his world. A world of greed and shallow relationships. But the first night of Jordan’s visit, lights descending from the sky begin to mesmerize and abduct thousands of people at a time. And those who escape are soon targeted by large alien creature who seem to have come to harvest humanity for their own purposes. The movie stars mostly unknown or “little knowns” and is directed by special effects team turned first-time directors, Colin and Greg Strause. Using t

I normally only review movies with clear geek appeal and action movies are not uniquely enjoyed by geeks. But since "Red" is based on a comic published by DC, I figured it has just enough connection to geek culture to warrant a review, since I have the time. As is ironically often the case (given my comic book fanaticism), I have not read the original DC comic and so am reviewing this movie based only on its own merits. "Red" features an ensemble cast led by Bruce Willis, playing former CIA black operative Frank Moses. Each person in this group of protagonists is former-something. CIA, KGB, MI6, etc. And they were all the best at what they did. Now they're all retired, but someone is looking to knock them all off to clean up a "mess" from a mission they were all a part of in the 80's. Dragged along for the action is Frank's would-be girlfriend, who he has been talking to on the phone for months but meets for the first time just as people

This week “Superman/Batman: Apocalypse” came out on DVD and Blu-ray, and being the DC Comics fanatic that I am, I couldn’t resist making the purchase. For awhile now, Warner has been putting out some fantastic animated movies in the DC universe. And while this one isn’t near the top of the heap, it’s still some cool action and fun in the DCU. The story centers on Kara Zor-el, Superman’s cousin, who arrives late to earth as another survivor of Krypton’s destruction. Superman immediately takes her under his wing while Batman is of course suspicious. Wonder Woman shows up and is a little of both, demanding that she be allowed to train Kara on Paradise Island so that she will not threaten others with her poorly controlled powers. And wouldn’t you know it, cosmic baddy, Darkseid has designs on Kara as well. The action goes from earth, to Apokalypse and back again and provides a real visual treat. Near the end we get to see some of the most explosive and epic animated DC action to

I greatly enjoyed M. Night Shyamalan's first two films, "The Sixth Sense" and "Unbreakable". But afterward, his films became somewhat formulaic and his "twist endings" more and more contrived or even forced. But the latest movie with his name on it seems to have taken a step back in the right direction. (Although he produced instead of directing it.) The story centers on five people stuck in an elevator together, dealing with the fact that every time the lights mysteriously flicker out, one of them is attacked or killed horribly. Meanwhile, a police detective and building employees are working to get them out while also trying to figure out what is going on. The movie is not a constant nail-biter, but the tension created when the attacker strikes and the paranoia of the elevator passengers is still pretty effective. There are also a couple of twists near the end which, while not truly shocking, do serve to keep an element or two unpredictable.

(Mild Spoilers Below) Although I’ve only played some of the first two video games in the “Resident Evil” series, I’ve watched all of the movies and enjoyed them for what they were,which wasn’t a lot. The same is true of the 4th movie in the series. At the end of “Resident Evil: Extinction”, the implied promise is made that Alice and friends would finally storm the underground headquarters of the Umbrella Corporation and take them out once and for all. If you were hoping “Afterlife” would play this out and give you the closure you’ve been waiting for in this series, enjoy the first ten minutes and then leave the theater. This movie ends with yet another cliffhanger. Rather than giving us the all out, crazy cool culmination of this series, the script practically resets the status-quo to that of the first or second movie, very early on. Alice’s T-virus powers are taken away and Umbrella is as hidden and elusive as ever. In fact, due to a particular plot element, Alice even has

Many movies treating the subject of Exorcism inevitably draw from the well of “The Exorcist” in repetitive and uncreative ways, adding only new special effects and visuals to an already established status quo. “The Last Exorcism” certainly revisits some established concepts, but also carves a new path into the genre with its unique premise. The movie is filmed in a documentary style, following a southern preacher who admits that his own belief in God is not genuine and that the many exorcisms he has performed were fake. He decides that exorcism should be exposed as fake and takes a camera crew with him to an exorcism in service to that end. The only problem is that this time he gets much more than he bargained for. With a cast of unknowns, this movie is a great example of the wonderful kinds of performances that can come to life in film when a studio doesn’t limit themselves to established Hollywood faces. I found every character in this movie to be believable and fascinating

Normally, I stick strictly to reviewing movies that fit in the sci-fi, fantasy, superhero or horror genre. But I made an exception for “The Losers” because of its origins in DC comics. The plot(which draws from the re-vamped Vertigo version of the comic) centers on a group of soldiers who are framed and presumed dead, and must now clear their names while taking revenge on the man who framed them. Sounds a lot like the recent A-Team movie, doesn’t it? The parallels don’t end there. The tone and even a couple of the characters have analogs in the A-Team movie. Although this one came out first. This movie even has a climax at a shipyard surrounded by massive cargo containers. Not sure WHAT was going on behind the scenes in Hollywood to make that kind of repetition happen. Putting all of this aside, including the original comic book, how does the movie stand on its own? Reasonably well, though not wonderfully. Jeffrey Dean Morgan and Chris Evans are the only “names” in this movi

If you grew up playing video games in the late 80’s and 90’s and you still have a good measure of nerd in you, then you owe it to yourself to go see Scott Pilgrim vs The World. This movie is fun, quirky and filled with action that is bound to please full-blooded and closet nerds the world over. Scott Pilgrim is a 22 year old bass player in a wanna be band. He is hopelessly uncool and is getting over a bad relationship by “dating” a 17 year old girl. (Don’t worry, the execution of this concept is not near as creepy as the premise.) Then suddenly the literal girl of his dreams begins showing up in the real world and he takes that as his cue to pursue her affections relentlessly… even though it means he has to fight his way through her seven evil exes. The movie is pure fantasy from beginning to end, told through the interpretive lens of video game stereotypes, with a few more from anime and comic books thrown in for good measure. Meters and pop-ups repeatedly appear on screen

For those unfamiliar with the comic book story this animated movie is based on, this is about the death of Batman's second Robin, Jason Todd, and the mysterious character and events that serve as a follow up to this event years later. I'll try not to give out any spoilers, despite the fact that most of the audience for this DVD movie has already read the original story. The adaptation is very well done, handled by Judd Winick, who wrote the original story and campaigned to make this movie happen. All the key elements remain and the complex DC Universe continuity elements have been streamlined and made self-contained for the movie. The animation looks great and blends cell and CGI styles effectively. Action is dynamic and explosive and a fight scene between Batman and the Red Hood near the end is one of the most well choreographed sequences I've seen even in live action movies. I spent a lot of time grinning while I watched the action in this movie. Batman's

  Inception is the latest film from writer Director Chris Nolan, now well known for re-launching the Batman franchise with great success. The story features Leonardo DiCaprio as the leader of a team who infiltrates people’s dreams in order to secure their deepest secrets. Comparisons have already been made to The Matrix, though viewers should not go to theaters expecting remotely the same experience. Inception is much more an action/sci-fi/drama than a straight up action/sci-fi flick. The story is fascinating and only leaves you in the dark for the first 20 minutes or so. (Possibly just a little too long.) Performances are solid, though no one stands out. Still, the movie finds a way to make you care about even incidental characters. Though DiCaprio is the lead, the story follows an ensemble cast of interesting characters, and by the end of the movie’s two and a half hour run-time, you feel as though you’ve experienced an epic story with a lot of things ha

The early trailers for this movie grabbed my attention with the spectacular magic effects and semi-serious tone. But the PG rating and youthful protagonist made me fear that we had just another run of the mill fantasy movie for kids. Thankfully, this was not the case. Nicolas Cage plays Balthazar, an immortal sorcerer who studied under Merlin. Morgana LeFey, Merlin’s ancient nemesis, is about to be unleashed on the world by an evil sorcerer(played by Alfred Molina), and Balthazar is in search of the stereo typical chosen one who alone has the power to defeat her. Enter college student and science geek, Dave. The “Prime Merlinian”. (AKA, Chosen One) By a twist of fate, his life intersected with Balthazar and before long he is studying under him to prepare for the battle to come. Yes, it’s a very simple plot. But the performances by the cast keep things engaging. Cage and Molina are especially fun to watch in their roles. Cage is not what you would expect from an immortal sor

I love monster movies. And I don't mean that in the sense of old cheesy black and white flicks with guys in foam suits. I mean well done, seriously scary, modern creature features from the 1980's forward. The Alien movies, John Carpenter's The Thing, The Terminator, Jeepers Creepers and of course... Predator. I love the first film, dig the second film and also really enjoyed the first "Alien Vs. Predator". (The less said about the second AVP, the better.) Predator is a modern movie monster that has been long overdue for a third installment of his own. So "Predators" was a welcome presence in my local theater, and it should be in yours too. This is a great movie. Monster movies often fail to have interesting characters supporting the creature featured. This sometimes works fine on the creature's first outing into film, though not well afterward. And the best creature movies also have interesting characters running down all those darkened ha

Although I’m a big fan of DC comics, I’ve never followed the Jonah Hex comic book, so I can’t speak of this movie’s fidelity to the source material. And normally I wouldn’t review a western, but the previews for this movie indicated some clearly supernatural elements that made it a good fit for the kind of movies I review. Jonah Hex is about a man in the 1800’s whose family was killed in front of him and who is now a bounty hunter, trying to punish criminals to make himself feel a little better. But when it is revealed that his family’s killer, once thought dead, is still alive, Jonah drops everything to hunt him down. Oh yeah, and a hooker with a heart of… well, she’s got a heart and she’s tagging along because she likes Jonah, or something. This is going to be a short review because I found this movie extremely forgettable. I don’t remember a single interesting character. Hex was most interesting in the flashbacks dealing with the death of his family. Otherwise,

Along with being entertainment, movies are also an outlet for the expression of one’s worldview. Most movies have a protagonist and an antagonist. Someone the film-maker wants us to root for, and someone else he wants us to root against. Protagonists may be flawed, but the storytellers give them enough of what they view as positive qualities that we will sympathize with them. Antagonists may not be completely evil, but storytellers give them enough “bad” characteristics that we can tell we shouldn’t root for them. By picking up on these kinds of basic story elements that we take for granted, we can determine quite a bit about the moral and philosophical worldview of the creators of a film. Some creators want their worldview to be expressed and appreciated by their audience. While other creators simply let their worldviews “leak out” in their creations by accident. I’m not assuming George Lucas had any desire to mold the thinking of his viewers. But his movies have presented a

All I really know about the “Prince Of Persia” video games is that the first one was way too freakin’ hard for me, so I never bothered with the others. (Though I hear that’s changed.) So I didn’t come into the theater as a fan of the video games, just a fan of fantasy adventure. Prince Of Persia’s story centers on a young street urchin turned prince who finds himself caught in the middle of treachery within his adopted royal family. He is accused of a murder and is on the run for most of the movie, trying to prove his innocence by unmasking the true culprit and his evil schemes. There is plenty of adventure to be had as the title character, cleverly played by Jake Gyllenhaal, leaps from roof to wall like an ancient free runner, stopping now and then to engage in fast-paced swordplay. Some of the early action scenes especially are clever in their design and very engaging to watch. Fights are well choreographed, but with no innovation. The story is straightfo